make live and let die
pouring loss and massaging
Is there a poor door?
I wish I could pursue between you and me
better be some familiarity
I wish it allows me to grow inside me
the spine is only
knock a devil bubble trouble,
and constantly
trying to name reality more accurately, laying out a unified drama
see through
pass by
It was night
time and from the lips
of a woman dressed in green
saliva was hanging
on those lips
I am familiar
with the city
Laughing at you
bitch we are the same love
the verse is shallow
a thin way and corridor
thread walking swing
She was so chic
wearing velvet
green
dark looking
deep smiling
She was smoking by the entrance and spitting bent forward
a long line dripping
to her feet and earth
And her hat, white figure
grows sensible
Things are the way you feel, if you did not feel the way you do things would be different.
anyone’s we
my I forward — All my notions are felt
send for see reality
weave the grid to the air tight, to the skin, how it is made and how it holds together
Video green
They do not exist
Spielberg was shooting by our house last Wednesday
Tottenham 2016 was Ohio 2050
I think about what makes an image believable
I think it is first the intention of the viewer
After I watched The Girl With Many Gifts at the cinema
I spent the night eating my boyfriend
I believed I was a hungry zombie because I wanted to get hold of my boyfriend
Take control
Olu David Ogunnaike, Let Me Just Put My Face On, 2016. Hardwood veneers, tree sap resin, gypframe.
Olu David Ogunnaike, Let Me Just Put My Face On, 2016. Hardwood veneers, tree sap resin, gypframe.
Olu David Ogunnaike, Let Me Just Put My Face On, 2016. Hardwood veneers, tree sap resin, gypframe.
Olu David Ogunnaike, I Don't Think I Can Wait That Long, 2016. Charcoal or charcoal monoprint on gallery wall.
Olu David Ogunnaike, I Don't Think I Can Wait That Long, 2016. Charcoal or charcoal monoprint on gallery wall.